Gallery
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Altar detail in faux marble and gilding
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18th century altarpiece
ButtonRestoration of gilding and silvering.
It was sculpted in 1719 by François Moirat from Marseille and its polychromy is due to the Genoese painter-gilder and varnisher Joseph Biaggio who worked there in 1721.
This architectural ensemble from the beginning of the 18th century is in carved, gilded and polychrome wood.
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Pedestals in gilded wood
ButtonCopy of 11 17th century folding chairs made for the refurnishing of the Salon de Mercure (Château de Versailles)
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Copy of a Savonnerie carpet
ButtonFor the enhancement of the furniture used during the Peace Treaty of 1919, copy of the central part of a Savonnerie carpet (Galerie des Glaces, Palace of Versailles)
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18th century giltwood sofa
ButtonRestoration of a sofa stamped Delanois, 18th century carpenter born in 1731 and died in 1792.
Private collection (Paris)
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Mahogany faux wood base
ButtonDecorative painting for the copy of the base of the clock of Louis XVI. Having disappeared in the Tuileries, this reconstruction allows to highlight the work of art (Château de Versailles)
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Car for the Coronation of Charles X
ButtonRestoration of the coach's gilded bronzes on the occasion of the "Roulez Carrosses" exhibition in Arras.
The structure built between between 1816 and 1818, was modified by the coachbuilder saddler Daldringen
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Imitation papier Zuber
ButtonDecor made on canvas.
the support can be mounted in situ
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Faux stone decor
ButtonMonaco Red Cross gala evening, creation of a decor with the gardens of Versailles as their theme
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Cafe de Paris in Monaco
ButtonRestoration of all the brass pieces, in particular the oval frames of the stained glass windows representing the signs of the zodiac
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Dolphin Frame
ButtonRestoration of a large format frame for the Dauphin's guard room.
Painting by Natoire (Château de Versailles)
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faux marble
ButtonRealization of a fake marble for Paco Rabanne on the occasion of the launch of the perfume invictus at the Grévin Museum
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Restoration of gilding
ButtonAll the gilding, including capitals and friezes, has been restored.
The Saint-Barthélémy church located on the heights of the city of Nice, has in particular a Bréa above the High Altar
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Carved and gilded wooden frame
ButtonPastel representing the portrait of King Louis XV (Royal collection (Château de Versailles)
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Imitation Gray Breccia
ButtonFaux marble with a trompe l'oeil "Greek-style" frieze
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Bracket and frame
ButtonFrom the 19th century, the two works after restoration (private collection)
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Framework of the architect Nepveu
ButtonAppointed architect of the King in 1821, Nepveu was architect of the castles of Versailles and Compiègne
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Fake wood
Buttonstacked mahogany with a gold leaf listel
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Tabernacle and bleachers
ButtonXVIIIth
The gildings of 1721 have been restored Removal of the bronzine and mixed areas
Some parts that were too altered required a classic restoration then regilded to harmonize with the whole altarpiece (Alpes-Maritimes)
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faux marble
ButtonFor the enhancement of a well-known perfume
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Restoration of an 18th century chair
ButtonUnder the direction of Hauré, these chairs were executed by the carpenter Jean-Baptiste Boulard*, sculpted by Valois and Vassal, and gilded by Bardou
The chairs are in beech, Salon des jeux de Louis XVI (Château de Versailles)
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Café de Paris Concierge Service in Monaco
ButtonGold leaf ceiling
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Faux marble showcase
ButtonCampan ribboned for the exhibition "When Versailles was furnished with silver"
Scenography: Jacques Garcia
(Castle of Versailles)
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Imitation wood
Buttonwith from left to right: Peach, Burl, Cherry, Walnut
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Faux marble base
ButtonFor the sculpture of Louis XV, staircase of the Princes (Château de Versailles)
18th century frame detail
Cadre grand format pour le tableau du Dauphin par Natoire
(Château de Versailles)
Buttonfaux marble
Griotte d'Italie
Buttonfaux marble
Paire de gaines en plâtre avec cannelures
Button19th century half-moon console
en bois doré à la détrempe (Collection particulière, Versailles)
ButtonRegency frame
Chapelle des Pénitents blancs (Alpes-Maritimes)
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